( NIE PRZYPUSZCZAN ZE NIE LADUJA SIE W WARSZAWIE - NIEKTORE BUDYNKI
DAVIDA COOPERFILDA SA TAKZE W WARSZAWIE - NIE WIEM NA PEWNO CZY
REPLIKACJE - JAK NAKRYCI W WASZYGTONIE BEDA TWIERDZIC TRYUMF NAD
WISLA , TAK JAK W TRENTON - ALE ZOSTALO TO POPRAWIONE W OSTATNICH
TYGODNIACH ZE G.WASZYGTON NIE WYGRAL JEDNAK W TRENTON- TYLKO OSTATNIO
TO ZROBIONO I ONI CHYBA PRZEGAPILI - NIE MAJA PELNEJ KONTROLI NAD
SATELITAMI JUZ-  ZAPEWNE DOSTANIECIE NOWA WOLNOSC PRZED 1905 TEZ
RETROAKTYWNIE - ONI AZ TAK FALSZUJA I SIE NIE PZREJMUJA ZE FALSZERSTWO
JEST OCZYWISTE - NIE MA TEZ JZU ZADNEGO AUTORYTETU - OBAMA JET TYLKO
MARIONETKA I ICH TEZ)

  PRZEPUSZCZALNIE AZ TAK DUZY BRAK KRYTYCYZMU JEST ZWIAZANY Z
ZACHIPOWANIEM ICH MOZGOW - ONI MYSLA ZE TO POSTEP. CHIPO INDUSTRY DZIS
OGLOSILO ZWOLNIENIE ZAPEDOW W USA PRZE WSJOURNAL ( INTEL)

     NOISE ON THE NEWSGROUPS BOARDS WHILE THEY PUMP IN FROM THE
SATELLITE LINE WHATEVER THEY WANT TO CLAIM BRITISH PLUS FROM LONDON.

  ( HOWEVER, FORBINGER OF DEPARTURE; WATCH HOWEVER - THEY CHANGE THESE
SEVERAL TIMES DAILY IF THEY ARE LEAVING USA OR NOTL; HELPING YOU,
PAYING MILLIONS OR KILLING IN A FEW - EVEN M-16 THE BRITISH NATIONAL
SECURITY SERVICES TAHT DERANGED; DO NOT FORGET THE HYPOCRIT NO MATTER
WAHT)


"Uploaded by fifnten on Oct 8, 2009

"A sweet, sentimental and nostalgic musical monologue, performed by
Herbert Mundin in the Charlot Show of 1926 at the Prince of Wales
Theatre in London.

Herbert Mundin (1898 1939) was an English-born Hollywood character
actor.

He was frequently typecast in films as older cheeky eccentrics, a type
helped by his jowelled features and cheerful Cockney disposition.

He was born Herbert Thomas Mundin in St Helens Lancashire on 21
August, 1898.

He was educated at St Albans School,

At the outbreak of the 1914-18 world war he enlisted with the Royal
Navy, serving as a radio operator on minesweepers.

With peace restored, Herbert performed in a concert party at Boulogne
before being engaged for his first character part during a stage tour
of Britain.

He was discovered by Revue producer Andre Charlot while performing at
the Devonshire Park theatre at Eastbourne. And, under Charlot's
management over the next seven years he gained a reputation as a
comedy actor.

His first London appearance was at the Prince of Wales Theatre in 1921
alongside Jack Buchanan.

In December of that year he was in a production with Jack Hulbert and
Beatrice Lillie.

His career was by then assured and after three further successful
years on the British stage he went to America, appearing in Andre
Charlot's Revue of 1924 at Times Square, New York.

Back in London a year later, appeared in the Charlot Show of 1926 with
Jessie Matthews and Henry Lytton Jnr., in which he performed this
monologue.

He subsequently appeared on the stages of the London Palladium, the
Alhambra and Coliseum and appearing in several Royal Command
Performances.

His sense of pathos added to his appeal and three of his well-known
solo acts were 'The Last Cabby', 'The Chelsea Pensioner' and 'The Day
of the Lazy Golfer.'

After two years of performing in Australia, Herbert returned to London
in 1930 appearing in productions at the London Hippodrome and the
Piccadilly. Then Hollywood beckoned and Herbert carved out a
successful film career, appearing in 40-plus movies.

Most notable was the 1933 film version of Noel Coward's 'Cavalcade' in
which he played Alfred Bridges and acted with a cast that included
Diana Wynyard, Clive Brook, Ursula Jeans and Dick Henderson Jnr.

In 1932 he'd appeared with Joan Bennett in 'The Trial of Vivienne
Ware'; in 'Chandu the Magician' with Bela Lugosi; 'One Way
Passage' (William Powell and Kay Francis); and 'Sherlock
Holmes' (Clive Brook).

In 1934 (this time with MGM) he performed with a predominantly British
cast in the definitive 'David Copperfield' The cast included Freddie
Batholomew, Frank Lawton; W.C. Fields; Roland Young; Basil Rathbone;
Maureen O'Sullivan; Lionel Barrymore; Hugh Williams; and Una O'Conner.

The following year he appeared in 'Mutiny on the Bounty', starring
Charles Laughton, Clark Gable and Franchot Tone
...

THEY EITHER GOT ME IN THE BROWSER OR BLOKED OTHERWISE TO HAVE THE
DAVID COOPERFIELD IN 1934 ( JUST FRESHLEY CHCKED MGM DATES  AND THE
FIRST TV TOO, WHILE I MA SEARCHING - SEE ABOVE 2 POSTS).

but watch hism, bastard, still snicking into London:

Uploaded by fivnten on Oct 8, 2009

A sweet, sentimental and nostalgic musical monologue, performed by
Herbert Mundin in the Charlot Show of 1926 at the Prince of Wales
Theatre in London.

Herbert Mundin (1898 1939) was an English-born Hollywood character
actor.

He was frequently typecast in films as older cheeky eccentrics, a type
helped by his jowelled features and cheerful Cockney disposition.

He was born Herbert Thomas Mundin in St Helens Lancashire on 21
August, 1898.

He was educated at St Albans School,

At the outbreak of the 1914-18 world war he enlisted with the Royal
Navy, serving as a radio operator on minesweepers.

With peace restored, Herbert performed in a concert party at Boulogne
before being engaged for his first character part during a stage tour
of Britain.

He was discovered by Revue producer Andre Charlot while performing at
the Devonshire Park theatre at Eastbourne. And, under Charlot's
management over the next seven years he gained a reputation as a
comedy actor.

His first London appearance was at the Prince of Wales Theatre in 1921
alongside Jack Buchanan.

In December of that year he was in a production with Jack Hulbert and
Beatrice Lillie.

His career was by then assured and after three further successful
years on the British stage he went to America, appearing in Andre
Charlot's Revue of 1924 at Times Square, New York.

Back in London a year later, appeared in the Charlot Show of 1926 with
Jessie Matthews and Henry Lytton Jnr., in which he performed this
monologue.

He subsequently appeared on the stages of the London Palladium, the
Alhambra and Coliseum and appearing in several Royal Command
Performances.

His sense of pathos added to his appeal and three of his well-known
solo acts were 'The Last Cabby', 'The Chelsea Pensioner' and 'The Day
of the Lazy Golfer.'

After two years of performing in Australia, Herbert returned to London
in 1930 appearing in productions at the London Hippodrome and the
Piccadilly. Then Hollywood beckoned and Herbert carved out a
successful film career, appearing in 40-plus movies.

Most notable was the 1933 film version of Noel Coward's 'Cavalcade' in
which he played Alfred Bridges and acted with a cast that included
Diana Wynyard, Clive Brook, Ursula Jeans and Dick Henderson Jnr.

In 1932 he'd appeared with Joan Bennett in 'The Trial of Vivienne
Ware'; in 'Chandu the Magician' with Bela Lugosi; 'One Way
Passage' (William Powell and Kay Francis); and 'Sherlock
Holmes' (Clive Brook).

In 1934 (this time with MGM) he performed with a predominantly British
cast in the definitive 'David Copperfield' The cast included Freddie
Batholomew, Frank Lawton; W.C. Fields; Roland Young; Basil Rathbone;
Maureen O'Sullivan; Lionel Barrymore; Hugh Williams; and Una O'Conner.

The following year he appeared in 'Mutiny on the Bounty', starring
Charles Laughton, Clark Gable and Franchot Tone"

STILL NOPT CORRECTED;

MOREOVE TH MNOVIE ON U TUBE CLEARLY SHOWED THE FIRST PRODUCTION OF d
COOPERFILED ON THE WASHINGTON MALL - BETWEEN 10-15 STREETS ON THE SIDE
OF INDEPENDENCE AVE -  WE CAN  ALSO CHECK THESE TRAMS THERE -
 SEE THAT THE DOUBLE DACKERS NO MATTER WAT CRASH - THERE WAS NO TWO
TRAMS AT THE SAME TIME EVER HERE OR THERE  AND THEY ARE TOO CLOSE -
THAT IS INJECTED AS WE WATCH - ARCHITECTURE CAN BE CHECKED AND THE
BREAD OF HORSES.

GOOD NEWS IS THAT EVEN WHEN THEY ARE THAT AMERICAN BE CLAIMING
STATELESS IN LONDON TO AVOID PAYING TAXCES USA ( THEY PRACTICE THAT
LONG; PROBABLY WERE BACK SNICKING IN UNDERCOVERED - QUITE THE AUDACITY
THEY GOT AND THEY SURELY DO NOT KNOW USA); AND THE BAD - THAT WE NOW
HAVE TO VERY EFFECTIVELY SPY THAT THEY DO NOT DESTROY THE REST. THE
'BIOTECHNO' ( SOMETIMES CALLED WRONGLY SYNTHETIC BIOLOGY - THIS
TECHNIQUE IS MUCH MORE THAN THAT)  ALLOWS PRODUCING ONTO OWN BODY A
COMPLETELY NEW BODY LOOK - TISSUE THAT IS - OVENIGHT AND REMOTELLY
USING SATELLITE TRACE ALONE. ( WE DO NOT SEE MASTKS ANY MORE).

SACKER IS STILL DOING DIFFERENT THINGS ON LINE NOW.

On May 6, 3:23 pm, AC <agnesche...@gmail.com> wrote:

( NIE PRZYPUSZCZAN ZE NIE LADUJA SIE W WARSZAWIE - NIEKTORE BUDYNKI
DAVIDA COOPERFILDA SA TAKZE W WARSZAWIE - NIE WIEM NA PEWNO CZY
REPLIKACJE - JAK NAKRYCI W WASZYGTONIE BEDA TWIERDZIC TRYUMF NAD
WISLA , TAK JAK W TRENTON - ALE ZOSTALO TO POPRAWIONE W OSTATNICH
TYGODNIACH ZE G.WASZYGTON NIE WYGRAL JEDNAK W TRENTON- TYLKO OSTATNIO
TO ZROBIONO I ONI CHYBA PRZEGAPILI - NIE MAJA PELNEJ KONTROLI NAD
SATELITAMI JUZ-  ZAPEWNE DOSTANIECIE NOWA WOLNOSC PRZED 1905 TEZ
RETROAKTYWNIE - ONI AZ TAK FALSZUJA I SIE NIE PZREJMUJA ZE FALSZERSTWO
JEST OCZYWISTE - NIE MA TEZ JZU ZADNEGO AUTORYTETU - OBAMA JET TYLKO
MARIONETKA I ICH TEZ)

  PRZEPUSZCZALNIE AZ TAK DUZY BRAK KRYTYCYZMU JEST ZWIAZANY Z
ZACHIPOWANIEM ICH MOZGOW - ONI MYSLA ZE TO POSTEP. CHIPO INDUSTRY DZIS
OGLOSILO ZWOLNIENIE ZAPEDOW W USA PRZE WSJOURNAL ( INTEL)

     NOISE ON THE NEWSGROUPS BOARDS WHILE THEY PUMP IN FROM THE
SATELLITE LINE WHATEVER THEY WANT TO CLAIM BRITISH PLUS FROM LONDON.

  ( HOWEVER, FORBINGER OF DEPARTURE; WATCH HOWEVER - THEY CHANGE THESE
SEVERAL TIMES DAILY IF THEY ARE LEAVING USA OR NOTL; HELPING YOU,
PAYING MILLIONS OR KILLING IN A FEW - EVEN M-16 THE BRITISH NATIONAL
SECURITY SERVICES TAHT DERANGED; DO NOT FORGET THE HYPOCRIT NO MATTER
WAHT)

"Uploaded by fifnten on Oct 8, 2009

"A sweet, sentimental and nostalgic musical monologue, performed by
Herbert Mundin in the Charlot Show of 1926 at the Prince of Wales
Theatre in London.

Herbert Mundin (1898 1939) was an English-born Hollywood character
actor.

He was frequently typecast in films as older cheeky eccentrics, a type
helped by his jowelled features and cheerful Cockney disposition.

He was born Herbert Thomas Mundin in St Helens Lancashire on 21
August, 1898.

He was educated at St Albans School,

At the outbreak of the 1914-18 world war he enlisted with the Royal
Navy, serving as a radio operator on minesweepers.

With peace restored, Herbert performed in a concert party at Boulogne
before being engaged for his first character part during a stage tour
of Britain.

He was discovered by Revue producer Andre Charlot while performing at
the Devonshire Park theatre at Eastbourne. And, under Charlot's
management over the next seven years he gained a reputation as a
comedy actor.

His first London appearance was at the Prince of Wales Theatre in 1921
alongside Jack Buchanan.

In December of that year he was in a production with Jack Hulbert and
Beatrice Lillie.

His career was by then assured and after three further successful
years on the British stage he went to America, appearing in Andre
Charlot's Revue of 1924 at Times Square, New York.

Back in London a year later, appeared in the Charlot Show of 1926 with
Jessie Matthews and Henry Lytton Jnr., in which he performed this
monologue.

He subsequently appeared on the stages of the London Palladium, the
Alhambra and Coliseum and appearing in several Royal Command
Performances.

His sense of pathos added to his appeal and three of his well-known
solo acts were 'The Last Cabby', 'The Chelsea Pensioner' and 'The Day
of the Lazy Golfer.'

After two years of performing in Australia, Herbert returned to London
in 1930 appearing in productions at the London Hippodrome and the
Piccadilly. Then Hollywood beckoned and Herbert carved out a
successful film career, appearing in 40-plus movies.

Most notable was the 1933 film version of Noel Coward's 'Cavalcade' in
which he played Alfred Bridges and acted with a cast that included
Diana Wynyard, Clive Brook, Ursula Jeans and Dick Henderson Jnr.

In 1932 he'd appeared with Joan Bennett in 'The Trial of Vivienne
Ware'; in 'Chandu the Magician' with Bela Lugosi; 'One Way
Passage' (William Powell and Kay Francis); and 'Sherlock
Holmes' (Clive Brook).

In 1934 (this time with MGM) he performed with a predominantly British
cast in the definitive 'David Copperfield' The cast included Freddie
Batholomew, Frank Lawton; W.C. Fields; Roland Young; Basil Rathbone;
Maureen O'Sullivan; Lionel Barrymore; Hugh Williams; and Una O'Conner.

The following year he appeared in 'Mutiny on the Bounty', starring
Charles Laughton, Clark Gable and Franchot Tone
..

THEY EITHER GOT ME IN THE BROWSER OR BLOKED OTHERWISE TO HAVE THE
DAVID COOPERFIELD IN 1934 ( JUST FRESHLEY CHCKED MGM DATES  AND THE
FIRST TV TOO, WHILE I MA SEARCHING - SEE ABOVE 2 POSTS).

but watch hism, bastard, still snicking into London:

Uploaded by fivnten on Oct 8, 2009

A sweet, sentimental and nostalgic musical monologue, performed by
Herbert Mundin in the Charlot Show of 1926 at the Prince of Wales
Theatre in London.

Herbert Mundin (1898 1939) was an English-born Hollywood character
actor.

He was frequently typecast in films as older cheeky eccentrics, a type
helped by his jowelled features and cheerful Cockney disposition.

He was born Herbert Thomas Mundin in St Helens Lancashire on 21
August, 1898.

He was educated at St Albans School,

At the outbreak of the 1914-18 world war he enlisted with the Royal
Navy, serving as a radio operator on minesweepers.

With peace restored, Herbert performed in a concert party at Boulogne
before being engaged for his first character part during a stage tour
of Britain.

He was discovered by Revue producer Andre Charlot while performing at
the Devonshire Park theatre at Eastbourne. And, under Charlot's
management over the next seven years he gained a reputation as a
comedy actor.

His first London appearance was at the Prince of Wales Theatre in 1921
alongside Jack Buchanan.

In December of that year he was in a production with Jack Hulbert and
Beatrice Lillie.

His career was by then assured and after three further successful
years on the British stage he went to America, appearing in Andre
Charlot's Revue of 1924 at Times Square, New York.

Back in London a year later, appeared in the Charlot Show of 1926 with
Jessie Matthews and Henry Lytton Jnr., in which he performed this
monologue.

He subsequently appeared on the stages of the London Palladium, the
Alhambra and Coliseum and appearing in several Royal Command
Performances.

His sense of pathos added to his appeal and three of his well-known
solo acts were 'The Last Cabby', 'The Chelsea Pensioner' and 'The Day
of the Lazy Golfer.'

After two years of performing in Australia, Herbert returned to London
in 1930 appearing in productions at the London Hippodrome and the
Piccadilly. Then Hollywood beckoned and Herbert carved out a
successful film career, appearing in 40-plus movies.

Most notable was the 1933 film version of Noel Coward's 'Cavalcade' in
which he played Alfred Bridges and acted with a cast that included
Diana Wynyard, Clive Brook, Ursula Jeans and Dick Henderson Jnr.

In 1932 he'd appeared with Joan Bennett in 'The Trial of Vivienne
Ware'; in 'Chandu the Magician' with Bela Lugosi; 'One Way
Passage' (William Powell and Kay Francis); and 'Sherlock
Holmes' (Clive Brook).

In 1934 (this time with MGM) he performed with a predominantly British
cast in the definitive 'David Copperfield' The cast included Freddie
Batholomew, Frank Lawton; W.C. Fields; Roland Young; Basil Rathbone;
Maureen O'Sullivan; Lionel Barrymore; Hugh Williams; and Una O'Conner.

The following year he appeared in 'Mutiny on the Bounty', starring
Charles Laughton, Clark Gable and Franchot Tone"

STILL NOPT CORRECTED;

MOREOVE TH MNOVIE ON U TUBE CLEARLY SHOWED THE FIRST PRODUCTION OF d
COOPERFILED ON THE WASHINGTON MALL - BETWEEN 10-15 STREETS ON THE SIDE
OF INDEPENDENCE AVE -  WE CAN  ALSO CHECK THESE TRAMS THERE -
 SEE THAT THE DOUBLE DACKERS NO MATTER WAT CRASH - THERE WAS NO TWO
TRAMS AT THE SAME TIME EVER HERE OR THERE  AND THEY ARE TOO CLOSE -
THAT IS INJECTED AS WE WATCH - ARCHITECTURE CAN BE CHECKED AND THE
BREAD OF HORSES.

GOOD NEWS IS THAT EVEN WHEN THEY ARE THAT AMERICAN BE CLAIMING
STATELESS IN LONDON TO AVOID PAYING TAXCES USA ( THEY PRACTICE THAT
LONG; PROBABLY WERE BACK SNICKING IN UNDERCOVERED - QUITE THE AUDACITY
THEY GOT AND THEY SURELY DO NOT KNOW USA); AND THE BAD - THAT WE NOW
HAVE TO VERY EFFECTIVELY SPY THAT THEY DO NOT DESTROY THE REST. THE
'BIOTECHNO' ( SOMETIMES CALLED WRONGLY SYNTHETIC BIOLOGY - THIS
TECHNIQUE IS MUCH MORE THAN THAT)  ALLOWS PRODUCING ONTO OWN BODY A
COMPLETELY NEW BODY LOOK - TISSUE THAT IS - OVENIGHT AND REMOTELLY
USING SATELLITE TRACE ALONE. ( WE DO NOT SEE MASTKS ANY MORE).

SACKER IS STILL DOING DIFFERENT THINGS ON LINE NOW.

a TEZ JEST TERRORYSTA:Uploaded by TheMagicofIllusion on Dec 6, 2009

" David Copperfield vanishes the Statue of Liberty in front of a live
audience on Liberty Island. No camera tricks were used and this was
first featured in his 5th television The Magic of David Copperfield V:
Vanishing the Statue of Liberty."  W 'David Copperfield - Vanishing
the Statue of Liberty ' NA U TUBE